Cary Grant
The Quotebook

On Hollywood.

The studio system, the factory floor, and the business of being a star.

Grant became an independent contractor in 1937, unusually early, and spoke about the industry with the plainness of a man who had read his own contracts. These lines are about the trade, not the art.

The lines.

34 quotations
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I was born in the provincial city of Bristol, England, but have avidly frequented the brightest capitals of the world ever since, and now keep a permanent residence in the so-called, though misnamed, glamour capital of Hollywood.
Cary Grant · 1963 · memoir · Ladies' Home Journal
Describing his origins at the start of the autobiography.
Ladies' Home Journal, autobiographical series, 1963.
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I learned everything from Mae West - well not quite everything, but almost everything. She knew so much. Her instinct was so true, her timing was perfect, her grasp of situations so right.
Cary Grant · 1961 · essay · Films and Filming
On his early Paramount films opposite Mae West.
'What it Means to be a Star,' Films and Filming, July 1961.
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It took time to be accepted; it almost took twenty years until I got to be like a well-advertised brand of tea. Housewives bought that kind rather than take a chance on a brand they are not familiar with.
Cary Grant · 1961 · essay · Films and Filming
On the slow construction of a durable persona.
'What it Means to be a Star,' Films and Filming, July 1961.
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There is too much heavy breathing and shooting going on.
Cary Grant · 1986 · television
His verdict on contemporary movies, given from the stage months before his death.
Remark during A Conversation with Cary Grant, Count Basie Theatre, Red Bank, New Jersey, May 1986.
Disputed
Judy, Judy, Judy.
Cary Grant · 1939 · film
The most famous line Cary Grant never said.
Traced to Only Angels Have Wings (1939) and to 1940s nightclub impressionists; Grant's own account appeared in Variety, 7 January 1970.
Attributed
Cary Grant is the only actor I ever loved in my whole life.
Alfred Hitchcock · interview
Hitchcock directed Grant four times, in Suspicion, Notorious, To Catch a Thief and North by Northwest.
Widely repeated as a Hitchcock remark; the original interview and date have not been established.
Attributed
I loved working with Cary — every minute of it. Between takes he was so amusing with his cockney stories. I was his best audience. I laughed and laughed and laughed. The more I laughed, the more he went on.
Irene Dunne · interview
Dunne made three pictures with Grant: The Awful Truth, My Favorite Wife and Penny Serenade.
Attributed recollection of working with Grant; the original interview and date have not been established.
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My present status in the motion picture industry is wonderful for my ego. But notice, I don’t say it can’t change.
Cary Grant · 1961 · essay · Films and Filming
On the impermanence of stardom.
'What it Means to be a Star,' Films and Filming, July 1961.
Disputed
Everybody thinks I’m relaxed. I’ve spent my whole life tense.
Cary Grant · interview
A confessional-sounding line that echoes something he did say.
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I really don’t like to speak about myself... and neither do I want to bother with the many ridiculous rumors that have been told by columnists, placing me into close relations, even matrimony, with the world’s most beautiful women.
Cary Grant · 1961 · essay · Films and Filming
On the gossip columns.
'What it Means to be a Star,' Films and Filming, July 1961.
Attributed
I’ve had a lot of fine offers, but I’m cautious. I’d rather make one good picture a year than three indifferent ones.
Cary Grant · 1937 · interview
On choosing scripts in the year of The Awful Truth, when he had just gone freelance.
Virginia Wood, 'Cash — and Cary,' 1937 magazine interview; the original title of the publication is not established in surviving reprints.
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Probably no greater honour can come to any man than the appreciation and respect of his fellow workers.
Cary Grant · 1970 · speech
Accepting the Honorary Academy Award, presented by Frank Sinatra at the 42nd Academy Awards.
Attributed
You know what’s wrong with Hollywood? They make pictures for people who don’t go to the movies.
Cary Grant · 1966 · interview
On the studio system in its declining years.
Attributed
The only way to make a good picture is to make it with good people.
Cary Grant · 1958 · interview
On casting and crews, a principle he applied when producing his own films.
Attributed
Do your job and demand your compensation — but in that order.
Cary Grant · 1959 · interview
Advice on working in Hollywood, given after he became an independent contractor.
Attributed
We have our factory, which is called a stage. We make a product, we colour it, we title it and we ship it out in cans.
Cary Grant · 1972 · interview
On the industrial reality of studio filmmaking.
Attributed
There’s nothing wrong with being a movie star. It’s a very good living if you can get it.
Cary Grant · 1964 · interview
Deflecting a question about artistic seriousness.
Verified
Actually, it was Bobby who would do that, and frequently he would put the President on, which was quite a joy for me. Those men were brought up watching our movies, and they felt friendliness toward movie stars of our generation.
Cary Grant · 1986 · interview · The Dallas Morning News
Correcting the story that John Kennedy himself rang him: it was Robert.
Philip Wuntch, "A Few Words with Cary Grant", The Dallas Morning News, 20 March 1986, correcting the legend that President Kennedy telephoned him.
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I don’t even know who my favorite leading lady is. They were all hard-working people whom I basically enjoyed working with.
Cary Grant · 1986 · interview · The Dallas Morning News
On the audience question he found most tiresome.
Philip Wuntch, "A Few Words with Cary Grant", The Dallas Morning News, 20 March 1986.
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I don’t know anything about drugs. None of the people I know is involved with drugs. Hollywood is a very hard-working town — you have to get up early, and you have to look good.
Cary Grant · 1986 · speech · Films in Review
Answering a question about drugs in old and modern Hollywood.
Maeve Druesne, "Mr. Grant Comes to Town", Films in Review, January 1987.
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I feel delighted and flattered, and I don’t think I deserve it.
Cary Grant · 1981 · press · The Washington Post
His reaction to being named a Kennedy Center honoree.
Gary Arnold, "The Kennedy Center Honors", The Washington Post, 6 December 1981, quoting Grant by telephone from Los Angeles.
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I had no idea she would become a big star. If she had something different from any other actress, it wasn’t apparent at that time. She just seemed very shy and quiet.
Cary Grant · 1986 · interview · The Dallas Morning News
On his first impressions of Marilyn Monroe.
Philip Wuntch, "A Few Words with Cary Grant", The Dallas Morning News, 20 March 1986, recalling Marilyn Monroe on Monkey Business (1952).
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I shall cherish it until I die, because probably no greater honor can come to any man than the respect of his colleagues.
Cary Grant · 1970 · speech · 42nd Academy Awards
His closing remark on accepting the honorary Oscar.
Closing line of his honorary Academy Award acceptance speech, 7 April 1970; Academy Oscars Acceptance Speech Database transcript.
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I think you’re applauding my stamina.
Cary Grant · 1970 · speech · 42nd Academy Awards
His opening line on accepting an honorary Oscar presented by Frank Sinatra.
Honorary Academy Award acceptance remarks, Dorothy Chandler Pavilion, 7 April 1970; Academy Oscars Acceptance Speech Database.
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I’m fascinated now by the economics of the movie business. I’m one of these people who can’t wait to see what will happen with Ted Turner and MGM.
Cary Grant · 1986 · interview · The Dallas Morning News
On the business of pictures, after Ted Turner's purchase of the MGM library.
Philip Wuntch, "A Few Words with Cary Grant", The Dallas Morning News, 20 March 1986.
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I’ve never been a joiner or a member of any particular social set, but I’ve been privileged to be a part of Hollywood’s most glorious era.
Cary Grant · 1970 · speech · 42nd Academy Awards
From his acceptance remarks, looking back over his career.
Honorary Academy Award acceptance speech, 7 April 1970; Academy Oscars Acceptance Speech Database transcript.
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I’ve worked with Bergman, I’ve worked with Hepburn, I’ve worked with some of the biggest stars, but Grace Kelly was the best actress I’ve ever worked with in my life. That woman had total relaxation, absolute ease — she was totally there.
Cary Grant · 1986 · speech · Films in Review
Ranking Grace Kelly above all his other leading ladies, from the stage.
Maeve Druesne, "Mr. Grant Comes to Town", Films in Review, January 1987.
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Ingrid was a splendid, splendid performer, but she wasn’t as relaxed in front of the camera as Grace was. She took acting so seriously. But I adored her.
Cary Grant · 1986 · interview · The Dallas Morning News
Comparing Ingrid Bergman's screen manner with Grace Kelly's.
Philip Wuntch, "A Few Words with Cary Grant", The Dallas Morning News, 20 March 1986.
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Ours is a collaborative medium, we all need each other. That’s how we exist.
Cary Grant · 1970 · speech · 42nd Academy Awards
Explaining why he thanked directors, writers and producers by name.
Honorary Academy Award acceptance speech, 7 April 1970; Academy Oscars Acceptance Speech Database transcript.
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The actors today are so much better than the ones in our day. I’m amazed at what Dustin Hoffman and Jack Nicholson can do. In my day, our work was incredibly confined because we were so hurt by censorship. We weren’t allowed to show any passion.
Cary Grant · 1986 · interview · The Dallas Morning News
Measuring contemporary actors against the constraints of studio-era censorship.
Philip Wuntch, "A Few Words with Cary Grant", The Dallas Morning News, 20 March 1986.
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The deaths of Grace and Ingrid hit me hard. Especially Grace’s because it was so horribly, horribly unexpected. And I think Grace was possibly the finest actress I ever worked with. Forgive me, Ingrid, Kate, Audrey and all the others. But Grace had something extraordinary.
Cary Grant · 1986 · interview · The Dallas Morning News
On the deaths of Grace Kelly and Ingrid Bergman, both in 1982.
Philip Wuntch, "A Few Words with Cary Grant", The Dallas Morning News, 20 March 1986.
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There’s too much heavy breathing and shooting going on.
Cary Grant · 1986 · speech · Films in Review
Explaining why he watched few modern films.
Maeve Druesne, "Mr. Grant Comes to Town", Films in Review, January 1987.
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We very rarely have the truth told about us in Hollywood. I’ve had five biographies written about me, for example, and they’re all absolute nonsense. I’ve never even met some of the people I’m supposed to have met.
Cary Grant · 1986 · speech · Films in Review
On the unauthorised biographies written about him.
Maeve Druesne, "Mr. Grant Comes to Town", Films in Review, January 1987.
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When we were making Notorious, Ingrid could do no wrong as far as Alfred Hitchcock was concerned. He simply adored her. I always went to work whistling when I was working on a Hitchcock film because nothing ever went wrong. Hitch was so incredibly well prepared.
Cary Grant · 1986 · interview · The Dallas Morning News
Recalling Hitchcock's preparation on Notorious (1946).
Philip Wuntch, "A Few Words with Cary Grant", The Dallas Morning News, 20 March 1986.
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